Decisions

The hardest thing about traveling for spring break is deciding what books to carry along. I have my responsible side that says I should take a couple of books from my biography course, so I can keep up with the reading. I have my indulgent side that says, Hey, it’s spring break, and I’d really like to kick back and read some of the non-school related books that are collecting dust on my desk. I have the side focused on formulating my thesis, which thinks I should be practicing my Spanish lessons, and reading some of the essay collections my thesis chair let me borrow. Then there’s the essay I need to finish writing while I’m away because I’m presenting it during a conference the week I return to school.

Here is the travel plan so far: Strachey’s Eminent Victorians (responsible side), Michael North’s Camera Works (indulgent side), a pile of printed Spanish lessons to study (thesis side), and my laptop to finish my essay. Now, whether I’ll make any substantial progress on any of these items remains to be seen, but I’ll assume the best.

In a state of envy

My brother has been stationed in Panama City, Florida for around ten years.  He and his family just received marching orders, and their new location is Italy. Italy! My heart melted when I got the news. I’m already scheming my visit.

The adventure is in the details

So, here are some of the details from the New York trip. The picture function on this blogging system is not as simple as the one from Someday Satori, so the pictures are not as organized as I would like. Most are from the MOMA, the NY Public Library, or Central Park (HB is in the third to last picture, with the Rodin statue):

HB and I went straight to bed after arriving at JG’s house on Wednesday since we knew we had to be up at 5am for our flight. The two of us really are well-behaved angels when we’re together, and nary a peep could be heard from us, as we drifted off to sleep with visions of Johnson and Milton dancing in our heads.

It felt as if we’d been asleep for only four hours when we were given our wake up call the next morning. On the plane ride to NY, JG distanced herself from HB and I by sitting in a fancy seat in business class. We found out afterward that sitting in business class does not necessarily mean complete comfort, as there was a loud gum chewer seated behind her, and his chewing was making JG a little bananas. HB and I were seated next to a guy who was entertaining enough, though she and I were not in a very talkative mood. He must have sensed it as he spent most of the flight standing in the back of the plane, flirting with the flight attendants. Had we known this was his plan, we would have moved into his seat so we could make ourselves more comfortable, but instead we spent the time looking over our shoulders at him, wondering whether he would return to his seat just as we were getting comfortable. He didn’t return until the attendants announced everyone had to return to their seats in preparation for landing. When he sat back down with us, he and HB dreamed up a new show or new SNL skit called Bill’s Back, which would follow Bill Clinton in his role as “First Lady” (assuming Hillary were to win the election). It was quite a funny conversation, and by the end of it our seat mate, who claimed he had no intention of voting for Hillary, said he may vote for her just to see Bill in the roll of First Lady.

We landed with no problem, picked up JG’s friend, V, and took a cab to the city. HB and I, along with two others, were staying at the cheapest hotel I could find, which was a Best Western on 38th street. The old saying You Get What You Pay For certainly applies in this situation. Not that the hotel was that bad. I’ve certainly stayed in worse hotels, and with four of us sharing a room, it came to $130 apiece for the entire weekend. But when we pulled on to 38th street, we saw the hotel was the only building still standing in the neighborhood, as every building around it was under construction. We got out of the cab, grabbed our bags, and while walking inside, some aggressive guy tried to hand us a flyer for something while the doorman to the hotel tried to usher us in. At the time, I didn’t know what the guy with the flyer was doing, but I knew he was being a complete asshole. I would have taken a flyer, simply because it never hurts to take one and sometimes they’re interesting, but I didn’t have a free hand since I was lugging my bags into the hotel. Anyone with eyeballs could see that I couldn’t take his damn flyer if I wanted to, unless I asked him to shove it in my pocket, or some nonsense, so I just kept on walking. HB was in a similar situation as she followed me to the hotel. As we were walking in the asshole-flyer guy said “Hey, Miss, you dropped something,” and when HB glanced over her shoulder to see what he was referring to he said, “your conscious.” Clever, eh? It actually became quite funny (in my opinion) as we used the line randomly for the rest of the weekend. It turns out that the guys were union supporters and were protesting the hotel because they had tried to unionize there and were fired. Now, I must admit, this makes me feel like an asshole because I am a union supporter, but I didn’t know about it when I was in Florida making reservations.

From there we went to the AWP conference to check-in and go to some panels. The first one I went to was shockingly dull and completely useless to me; it definitely did not live up to its description in the conference book. It was packed and as the panel progressed, people were leaving in droves. I think everyone had been duped by the description in the conference book. However, the day was saved by another panel I went to that dealt with audio poetry archives. DP and I went together because the conference book said Kenneth Goldsmith was going to be a presenter. We’re both familiar with Goldsmith thanks to a poetry workshop we took together in the fall. However, as we were sitting there looking at the presenters, we realized we didn’t recognize anyone who looked like Goldsmith. We soon learned KG was not there. I was thoroughly disappointed….until the moderator announced that taking KG’s place was Christian Bök! eep! I quickly scribbled a note to DP with Christian Bök’s name on it and a big heart underneath it. DP didn’t know Bök, but I wanted him to know this was a very good thing (hence the big heart). The panel lasted from 4:30pm-6:15pm and I enjoyed every minute of it. Ubuweb, the audio archive Bök talked about, it such a great place to be when you’re on the web.

After that we met up with some more people and went out to dinner at a restaurant called the Playwright. They had several references to Joyce, which I thought was interesting, considering he wrote only one play (from what I recall), and is not someone I would refer to as a playwright. Particularly when combined with the likes of Samuel Beckett and Oscar Wilde. From there we decided to return to the hotel. I was exhausted and planned to go to sleep, while my roommates were making plans to buy liquor and drink in the hotel lobby. We took a cab back to the Best Western. MD went downstairs to smoke, HB quickly followed suit, and DP followed soon after. They were going to go look for a liquor store. A little over an hour later, just as I’m lying down to sleep, MD comes in. Any luck finding some bourbon? I ask and he said he didn’t know. He had not met up with HB and DP after all, and they were the ones looking for the liquor. I tried to go to sleep, but found myself unable to do so. After several hours of trying to sleep and not succeeding, I text(ed) DP to see if he and HB were downstairs. Sure enough, they were. I threw on my shoes and joined them in the lobby at 2am, where they were kind enough to share their bourbon and ginger with me (this drink possibly surpassing vodka/cran as my favorite). They filled me in on their adventure of looking for a liquor store. We had taken a cab from the Playwright restaurant to the hotel to save time and energy, but the two of them ended up walking all the way back to the restaurant when looking for the liquor store (and they walked back to the hotel after buying the goods). Had they known the liquor store was so close to the restaurant, they could have bought it after dinner, and save the wear and tear on their feet.

The next morning, HB, DP, and I decided to go to the New York Public Library to see the Kerouac exhibit. It was raining. Like, cold, nonstop, blowing rain. As we were chatting with the doorman about whether we should get a cab or not (we were loathe to spend money on a cab when we could walk, yet didn’t want to walk in the rain), I asked him where was the closest place to find an umbrella. “You won’t be able to find an umbrella for less than $20 today,” he said. Nothing like supply and demand and jacking the prices when demand is high. However, he was wrong, wrong, wrong! We took a cab to Times Square, grabbed some hot liquid at Starbucks, walked to the subway terminal (the library was just blocks away, but the rain and wind was too much to take with no umbrella), and while walking into the subway terminal, found a guy selling umbrellas for $3! $3! HB bought one for each of us, and as we were leaving, one of the guys there said to HB “Excuse me Miss, you dropped something.” This time it wasn’t her conscious, but her glove.

The Kerouac exhibit was outstanding. Much bigger than I anticipated; I could have stayed there for hours. After the Kerouac show, we went to the MOMA. Also quite terrific, though by the time I got to the fifth floor, I was utterly exhausted. All of this was followed by a delicious meal at an Indian restaurant (I don’t recall the name). The meal was followed by drinks in one of the rooms at the Hilton, where some of our friends were staying, followed by more drinks at the AWP dance (free drinks for an hour), followed by more drinks at a pub.

On Saturday I went to another terrific panel on Latino writers speaking out on immigration. Very good stuff, and I introduced myself to one of the writers who 
presented, which is quite an accomplishment for me. I’m learning I’m not very good at schmoozing; I would go so far as to  say I’m completely uninterested in it. However, this writer was a student in an MFA program in Pittsburgh, who writes  nonfiction and writes about immigration, so it seemed absurd not to speak with her. This was followed by hours in Central Park, dinner at Astros (I love this diner), an Obama rally in Times Square, and drinks in Greenich Village. The evening was capped with more bourbon and ginger in the lobby of the Best Western; the conversation revolved around our lack of interest in schmoozing at conferences.

Good times.Obama rally, Times Square 2008

the big ol’ apple

I leave for New York obnoxiously early on Thursday (though the obnoxiousness is alleviated a little by my friend JG, who is allowing me and HB to stay with her the night before, so we don’t have to leave our northern Palm Beach County homes at 4:00 am to drive to Ft. Lauderdale (or rather, so our husbands don’t have to leave at 4:00 am to drive us to Ft. Lauderdale)). But even with this alleviation, we’re leaving too early in the morning for my liking.

I’ve been perusing the conference website and am excited about so many of the panels. In addition to readings at the Bowery, checking out Kerouac’s scroll at the New York Public Library (probably the most important item on my list), free Friday night’s at MOMA, a specialty pen store 12 minutes from my hotel (thanks mapquest), eating and drinking (as much as my budget will allow), I hope to attend some of these panels:

An Alternative to Teaching: Preparing MFA Students to Work in Nonprofit Arts Agencies (A Case Study). (Charles Jensen, Aimée Baker, Meghan Brinson, Beth Staples, Matthew Brennan, John Young) With so many burgeoning MFA programs churning out more students than ever before, it is even more critical for these new professionals to consider viable and rewarding alternatives to tenure-track teaching careers. Work in the nonprofit sector, through arts agencies, writing centers, and the like, can offer writers a different kind of refuge from the demands of corporate alternatives, and the skills developed in these roles can be transferred into major leadership opportunities in the arts sector. The Piper Center for Creative Writing has grown its MFA graduate assistantship program into a distinctive training ground for these future arts leaders, whose skills and experience will separate them from their peers upon graduation. Working in areas of literary program development and oversight, research, event planning, and management, our students have become invaluable partners in our success. (I am very interested in this panel considering I have no plans to stay in academia).

Listen to This! (Nick Twemlow, Kenneth Goldsmith, Matt O’Donnell, Curtis Fox, Don Share) Take an audio tour of four major audio poetry archives: The Harvard Poetry Room, poetryfoundation.org, From The Fishouse, and UbuWeb. Their curators will play back, mix, and sample from their collections. You’ll learn about how to access historic recordings, best practices for archiving audio, what makes a great poetry podcast, and how to get work added and featured in their archives and podcasts.

Show and Tell: Collaborations of the Verbal and Visual. (Marsha Norman, Christopher Durang, Jules Feiffer, Meg Wolitzer) Stony Brook Southampton’s literary magazine, The Southampton Review, presents four writers who work in a range of media, from film and theater to novels and cartoons. Panelists show and tell as they consider how each medium creates unique opportunities for cross sensory collabroations to collaborate, how their material works differently on page than on stage or on air, and how they get the verbal and visual to play nice.

U.S. Latino Writers Speak Out: A Literary Response to the Immigration Crisis. (Benjamin Alire Sáenz, Denise Chavez, Dagoberto Gilb, Luis Urrea, Ruben Martinez) We are poets, novelists, and journalists who feel compelled to unite in a public forum to read from our work that addresses an issue that is tearing this country apart. Our literature, our books, our novels, our journalism, our poetry, our urge to write has sprung from the fact that we belong to an immigrant community in struggle. With our words, we wish to bridge the chasm between the literature we write, the writing community of which we are a part, and the country that is our home. This panel listed above is the reason I’m attending the conference, though I wouldn’t mind going to this reading (they are at the same time, dammit):

Soft Skull 15th Anniversary Reading. (Douglas Martin, David Griffith, Matthew Sharpe, Lynne Tillman, Jenny Davidson, Cristin Aptowicz) In fifteen years, Soft Skull Press has delighted, excited and enraged the American public–from eight books selected as Voice Literary Supplement Best Books of the Year, to two books identified by Ann Coulter as amongst the five most fraudulent books of the past decade. In so doing, Soft Skull has become one of the most well respected, independent publishers in the world, with books in translation throughout Europe, South America and Japan, Korea, and China. Herewith we offer several of the writers who have made us who we are, and will continue to make us who we hope to be.

Alternatives to Academia. (Melanie Moore, Russell Chamberlain, Kathleen Jesme, Vince Passaro, Michele Kotler, Bruce Morrow) Academia used to be the typical path chosen by creative writing MFAs and PhDs. These days the candidates outnumber the available tenure track positions by as much as 25:1. For degreed writers, what other options are available? Meet six writers who have found meaningful work beyond the ivory towers. These panelists work for corporations, nonprofits, and the government in the fields of consulting, management, social work, and fundraising.

Avant-Garde Latino/a Poetry. (Gabriel Gomez, Roberto Tejada, Valerie Martinez, Monica De La Torre, Maria Melendez, Francisco Aragon) The reality of a U.S. Latino/a Avant-Garde is virtually non-existent in contemporary literary discourse about “Latino/a Art” as well as across the literary spectrum. The objective of this panel, made up of Latino/a poets, critics, and publishers, is to interrogate the very terms “Avant-Garde” and “Latino/a experience” as intersecting locations of poetic practice so as to bring forth work that bears witness to our varying aesthetics as artists and thinkers.

I hope to return with stories and pictures! Whether I’ll find the time to post them is a different question (I made the clever decision of signing up for a class presentation the Wednesday following this trip, which means the weekend I would have dedicated to research and organizing will, instead, be used up in the streets of New York. This makes me a little nervous, so, to compensate, I started researching my presentation topic this past weekend, and will probably continue to turn the presentation topic over in my mind as I make my way from one NY event to the next).